Essay on SWOT Analysis of Commonwealth Bank of Australia

Commonwealth Bank of Australia – SWOT Analysis Commonwealth Bank of Australia – Strengths Strength – Commonwealth Bank Brand Commonwealth Bank brand is the most recognised brand in Australian financial services industry. It is a brand that has evolved over its 102 years of operation with a strong brand history. Commonwealth Bank brand is highly regarded and trusted within the Australian financial services industry. Other well known brands under the Commonwealth Bank Group includes Colonial First State, CommInsure, ASB (New Zealand), Sovereign, FirstChoice, CommSec, and Bankwest. Strength – Scale Commonwealth Bank has a strong presence in Australian financial services industry and has the largest customer base of any†¦show more content†¦Commonwealth bank competes with foreign banks, building societies, mutual banks and smaller regional banks. Growing innovation and technological advancements has lead to increased emergence of new competitors and competition within the Australian banking and financial services sector. Threats – Government Regulations New government regulations there have made it easier and cheaper for customers to change banks. For example, banks in Australia are no longer able to charge early exit fees such as deferred establishment fees on mortgage and personal loans due introduction of new regulation in early 2011. Competitive Advantage of Commonwealth Bank of Australia Maximising long-term value for its customers, shareholders and its employees is the organisation’s main strategic priority. Commonwealth bank’s strategy is to create long- term value and maintaining competitive advantage by differentiating itself from its competitors. The organisation’s goal is to achieve long-term value for its customers, shareholders and its employees through domestic and growth outside of Australia. Given the Commonwealth Bank Group’s franchise position, the organisation aims to capture the opportunity to generate growth domestically and outside of Australia by identifying and meeting more of the needs of its customers. In April 2012, as part of itsShow MoreRelatedCredit Risk Analysis of Cba3727 Words   |  15 Pages1. KEYS TO SUCCESS Operating in the ever challenging banking industry in Australia, Commonwealth Bank of Australia (CBA) aims to succeed through focusing on 5 main strategic areas: Customer service CBA believes that customer satisfaction is pivotal in creating value. Over the years, it emphasised employee training to deliver top-notch services to customers. 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Personal Career Development Career Goals - 1531 Words

An individual’s career choice is often influenced by a myriad of different motivations and impulses. Prior to this course, I was quite ignorant of the magnitude these characteristics and traits hold over our professional lives. Career development is very much a division or subset of an individual’s personal development. These two aspects of development seem to be inextricably connected, thus attempting to isolate either measure would seem to create a discord in an individual s job or life satisfaction. I agree that self-awareness is a fundamental component of discovering our unique purpose in the workforce, however, there are many extraneous variables that may also motivate us to achieve certain goals. As counselors, we must take into account our clients’ values, interests, beliefs, and personal life experiences in the efforts of assisting them through the journey of career development. In exploring my personal career development, it was essential that I reflect back on what has motivated me to become a helping professional. I have identified with many of the career developmental theories of which include: Krumbolz, Levin, and Mitchell’s Happenstance theory, Krumbolz Learning and Cognitive Career Model, as well as Holland’s Typology. Early Childhood Development My older sister always excelled in everything she. She set the bar high for the expectations I imposed upon myself. I had the continual urge to keep up with her level of successes, primarily in the area of academia.Show MoreRelatedPersonal Development Portfolio : Career Goals2054 Words   |  9 PagesPersonal Development Portfolio Career Goal Growing up in the city of Toronto in Canada, then moving to the United States had given a very wide outlook on different careers that are obtainable. 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Career development and transition programs are important because they support they can provide students with access and information to programs or careers that they may otherwise not have known about. In

Freuds Psychoanalysis of the Film Psycho free essay sample

Alfred Hitchcock was one of the most outstanding filmmakers of the 20th century. He was born in 1899 in Leytonstone, East London. In 1920, Hitchcock obtained a full-time job designing film titles. While working, he endeavored to learn as much as he could about the film business. Within 3 years of starting his job at the studio, Hitchcock became an assistant director and, in 1925, a director. In a career spanning six decades, Hitchcock made 53 films, the best of which are at once suspenseful, exciting, disturbing, funny and romantic. The so-called ‘master of suspense’ pioneered many of the techniques of the thriller genre, and remains highly influential to this day. He was one of the first directors to portray psychological processes in film narrative. During much of Hitchcock’s career, Freud’s ideas were dominant, and although Hitchcock was skeptical of psychoanalysis, Freudian concepts and motifs recur in many of his films. Hitchcock’s films usually centre on either murder or espionage, with deception, mistaken identities, and chase sequences complicating and enlivening the plot. Three main themes predominate in Hitchcock’s films. The most common is that of the innocent man who is mistakenly suspected or accused of a crime and who must then track down the real perpetrator in order to clear himself. Examples of films having this theme include The Lodger, Strangers on a Train, I Confess, To Catch a Thief, The Wrong Man, and Frenzy. The second theme is that of the guilty woman who enmeshes a male protagonist and ends up either destroying him or being saved by him; examples of this theme include Blackmail, Notorious, Rebecca, Vertigo, and Marnie. The third theme is that of the (frequently psychopathic) murderer whose identity is established during the working out of the plot; examples of this theme include Shadow of a Doubt, Rope, Rear Window, and Psycho. Hitchcock’s films always have close relationship with Freud’s psychoanalysis. Through the devices of suspense and horror in his movies, he produced the perfect combination of film and psychology, which presents the audiences a vivid interpretation of Freud’s psychoanalysis. Hitchcock is the first great film director who explained Freud’s psychoanalysis theories, such as dream analysis, psychological trauma, Libido, Oedipus complex in his movies. Therefore, to some extent, he promoted the widely spread of Freud’s theories. Thus, people regard Hitchcock as â€Å"the Freud in movie industry†. Freud’s work was very influential during the 20th century. He became known as the founding father of psychoanalysis. Some of the important ideas that he introduced are the idea of human psyche being divided into 3 parts: the id, ego and superego, the Oedipus/Electra complex, stages in the development of a child etc. We will elaborate on these ideas once we start the detailed analysis of the movie Psycho. Since a movie is a product of the times when it was filmed, it naturally depicts the society of that time. Hitchcock’s movies, in particular, give us an insight into the abnormality that existed beneath the surface of the perfect American society. There was a sense of uniformity that pervaded American society during the 1950s. Conformity was common, as young and old alike followed group norms rather than striking out on their own. Though men and women had been forced into new employment patterns during World War II, once the war was over, traditional roles were reaffirmed. Men were expected to be the breadwinners; women, even when they worked, assumed their proper place was at home. Women were expected to be perfect, in every way. They were expected to wear pearls and high heels and await the return of their all-knowing husband. Women were trained into this routine from an early age. Everyone wanted the perfect TV family. Television and other forms of technology became widespread through the country. TV shows like Leave it to Beaver and The Honeymooners showed how it was to be a family in the 1950s. The television gave much of the country something to do. It changed the model of the home, living rooms now revolved around the television set. Domestic comedies stretched the values and morals of the time period. What was portrayed on television became accepted as normal. The ideal family, the ideal schools and neighborhoods, the world, were all seen in a way which had only partial basis in reality. For this reason people have often also assumed that these fictional households ought to mirror not simply family life in general, but their own personal values regarding it. However, the society in America held millions of secrets. Outwardly, people appeared to hold higher values and morals than they practiced in their family and private lives. What was under this perfect image was a wasteland of cheap houses, bored men commuting to work, unhappy housewives, and greedy, demanding children. Society affects the psychology of an individual by setting number of rules, expectations and laws. From the point of view of psychologists, psychological illnesses stem from society’s demand that some of our instincts be repressed. People are pressurized to keep the appearance of leading a life according to social norms and if they do something that is not socially accepted, it must be hidden. From the very beginning of the film Psycho, Hitchcock takes us behind closed doors and into the secret lives of his characters. The opening scene presents a survey of the city of Phoenix. As we scan the buildings, the camera focuses on one building and takes us closer until we enter through an opened window to find the main female character Marion Crane and her lover Sam in a motel room. , from here on, the pattern of moving deeper than surface appearances to find aspects of life normally unseen continues. At first sight, Marion is a respectable young lady who works as a secretary in Phoenix. However, she has a secret love affair with Sam, a divorced man with severe financial difficulties. Marion’s love for Sam drives her to steal 40 000 dollars in order to help him. Freud would explain this action as stemming from the id. Freud offered a structural model of the human psyche consisting of 3 elements: id, ego and superego. The id relies on the â€Å"pleasure principle† looking only for gratification and not looking at the consequences. The super ego aims for what’s right and it runs on guilt. Both the id and superego conflict with each other to produce the ego, or the culture of the society. The ego is the meeting of the id with the superego; it represses the inappropriate desires of the id. The ego leads to the development of self. Hitchcock demonstrates the Id when Marion steals the $40000; she was looking only upon the gratification of the money. In the opening scene, Marion Crane is half undressed in a motel room with Sam wearing a white bra because Hitchcock wanted to show her as being angelic. After she has taken the money, the following scene with Marion undressed occurs when she is packing for her escape to California but now she is wearing a black bra because now she has done something wrong. As she exits the town to escape judgment, her super-ego attempts to enforce conscious morality. She imagines conversations between those hurt by her crime: her boss, her sister, her boyfriend, and the man she stole the money from. She is still not dissuaded and continues. The split personality motif reaches the height of its foreshadowing power as Marion battles both sides of her conscience while driving towards the Bates Motel. Marion wrestles with the voices of those that her crime and disappearance has affected. While driving, she imagines a conversation with Sam, a conversation of her boss with her colleague, and a conversation between her boss and his client from whom she has stolen the money. We hear their voices on the sound track as an interior monologue. This voices stand for the superego and we can see it in the next scene. For the first time Marion is acting in a neurotic way, now that she is under pressure because of the money she is stealing to finance her marriage with Sam. We see her nervous and uneasy face in a close-up. She obviously has come under stress, which is why she cannot control her thoughts and actions. Marion suffers from bad conscience, and her sense of guilt is intensified. The pounding music helps to sustain the neurotic atmosphere of the sequence, when Marion continues driving. It is not a coincidence that it’s raining at this particular moment. The rain foreshadows that something bad is going to happen. She stops for the night at the isolated Bates Motel. Its owner, Norman Bates, tells Marion he rarely has customers since the new highway bypassed the place. He mentions he lives with his mother in the grim-looking house overlooking his motel and invites Marion to share supper with him. Bates lives under the monarchy of his dominant mother, which forms his weakness in personality. However, it seems that he loves his mother very much, which we can see from the way he talks about her to Marion. We can hear Norman saying that â€Å"a boy’s best friend is his mother†. His strong attachment to his mother, despite the way she treats him, is obvious and that’s why he can’t picture being away from her which we can conclude from the further dialogue between Marion and Norman. At this point we can conclude, by the way Norman talks about his mother, that their relationship is quite unusual. He was jealous of his mother’s lover, since he felt that she neglected him because of her lover. This is best seen when he says that †a son is a poor substitute for a lover†. Norman’s wish to substitute the role of his m’s lover and his own father represents the Oedipus complex. The Oedipus complex is one of Freud’s basic theories of psychoanalysis. In  psychoanalytic theory, the term  Oedipus complex  denotes the emotions and ideas that the mind keeps in the  unconscious, via dynamic repression, that concentrates upon a childs  desire  to sexually possess the parent of the opposite sex. Sigmund Freud who coined the term Oedipus complex believed that the Oedipus complex is a desire for the parent in both males and females;  during the early childhood, the boy desires the mother, and the girl desires the father, which is a universal phenomenon of human-beings. However, from the primitive society to modern civilization, incest is unaccepted and intolerable by the society. Due to this, the desire becomes the illusion, which can only be deeply buried into one’s unconsciousness. During one’s whole life, the desire and illusion is repressed. Freud thinks that this is the main psychological matter of childhood. All the complex psychological activities originated from it. To most people, the existence of this phenomenon is a shame of morality. Thus, people feel guilty about it. Through the analysis of Oedipus complex, people find that children’s sexual instinct and its development plays an important role in one’s psychological development of whole life. In order for the boy to resolve the Oedipus complex, he must repress these fantasies. The essence of repression lies simply in the turning something away, and keeping it at a distance, from the conscious. If they remain hidden in the subconscious, they manifest themselves in the neuroses and psychoses of the individual. Oedipus complex occurs in the unresolved oedipal phase which comes after 3 crucial stages of the development of a â€Å"self†. The first stage is a stage of narcissism, self love or auto-eroticism. The second one is an attachment to loved objects and the third, surrender to the laws of necessity or reality. These stages constitute a process of maturing, or producing an ego, a self, and I. There is another stage, called the mirror stage, which is positioned between primary narcissism (love for self) and attachment to loved objects (love for others), that is between the first and second stage of development. Freud sees the child as existing in a stage of undifferentiation, experiencing self love, not distinguishing between self and other. This distinction appears when a libidinal drive (instinctual biological drive) is directed from self to an object external to it. What is formed in this shift is recognition of self as object, as if seen in a mirror, the mirror constituted by the looks of others. This self is the ego, and becomes the means of self-definition and identification. After dinner, Marion goes back to her room and steps into the tub to enjoy a cleansing shower. Let’s see that famous shower scene. The shower scene is for sure in Hitchcocks cinema the most famous one (not to say one of the most famous of the whole cinema). The fact that Hitchcock killed off the main female character in the movie, after just half an hour was only one of his many unheard of elements. Even a flushing toilet — considered a vulgar sight — had never been seen in such a big movie. What contributes to suspense while watching this scene is also the music. The person who watches the scene is affected by the mood of the music feeling the tension, but also understands what  is going to happen. The slashing of the knife and the screaming along with music are very impressive. Hitchcock used screeching violins, violas, and cellos to achieve the perfect soundtrack for the shower scene. In search for Marion, her sister and her fiancee end up in the Bates motel. The moment of revelation happens when Marion’s sister enters the house and goes to the basement. This is where she finds the corpse of Norman’s mother, and everything becomes clear when Norman enters the room dressed in woman’s clothes. Norman’s mother is dead, and that he was the one who killed Marion. When Norman killed them his personality was completely overtaken by his mother and he was no longer capable of being his individual self. When arrested, he is treated as a psychiatric case, and later on the psychiatrist explains Normans pathology in detail, introducing a villain/monster who isnt driven by the usual motives. The psychiatrist is there because Normans motives are so complex that they require a Freudian explanation. Viewers have empathized with Norman throughout the movie because he is presented as a nice, cute, lonely guy. So at the end, the psychological explanation is necessary to show how someone not that different from the ordinary viewer could become such a twisted killer. It is Norman’s intense attachment to his mother that leads to his split and alternate personality. Two souls exist in his body, one is himself, another is his mother. What is interesting is that his love to his mother makes him produce illusions. When mother’s personality controls him, he feels that his mother loves him mutually, so the mother is jealous about the young ladies her son is attracted to. Consequently, the mother wants to kill them. Thus, Bates becomes a serial killer of beautiful girls. The Oedipus complex transcends cultural and social boundaries, manifesting itself in the psyche and popular culture of society. The last shot of  Psycho imposes Normans face with that of the Mother half who has now won the battle for control of his personality. In the final scene Norman, shares his thoughts with the audience. Only his thoughts are those of his mother confirming the schizophrenic split personality disorder. Norman is an example of the extreme manifestation of the oedipal complex. Normans dysfunctional desire, a result of the family romance, creates a sentiment that he is the victim of a never completed oedipal trajectory. Bates is entrapped by his suffocating past and is therefore taken over by his own vision of the mother. The two names of the main characters, Marion and Norman, are almost anagrams of each other. This encourages the audience to see the characters as mirror images of each other, and how normality (Marion) has within it abnormality (Norman). We know that Marion’s id is shown when she decides to take the money; however, her superego takes over when she understands the consequences of her act and when she decides to go back and fix what she has done. This is the ego and superego coming together to deal with the impacts of reality. Another interesting aspect to the name Norman has been pointed out: he who is neither woman nor man†. Norman has a sexually confused identity, and his name supports this fragmented state. Others have suggested that three levels of the  Psycho  house correspond to Superego (upstairs), Ego (main floor), and id (cellar). The setting is gothic: the house is gloomy, cluttered and infested with a secret personality. Normans parlor is filled with stuffed birds, and Marions motel room is adorned with pictures of birds. While girls are associated with birds, Norman (who is also a woman in his mind) associates himself with birds as well. Norman truly holds a psychotic position-both aggressor and victim. The aggression is seen in his last name. Bates sounds like baits, and Marions last name of Crane situates her character as bird in a story where Normans hobby of taxidermy lends itself to the stuffing of birds. Crane takes the bait and becomes victim. The city Marion starts from also symbolizes a bird. The Phoenix, in Egyptian mythology, is a bird which is consumed by its own flames, only to rise again from its own ashes. The phoenix of Psycho is the mother -she arose from her death renewed in the form of Norman. We’ve come to the end of our presentation. We talked about Hitchcock’s work, we discussed Freud’s theories through the movie, and explained the major symbols in the movie. If Psycho has taught us anything, its that we live in a world without reassurance. We cannot trust our own perception, whether were peeping at others or looking in the mirror. And if we look through the killers eyes and recognize that he is not so different from us, what does that say about us? Thank you for your attention, if you have any questions, feel free to ask.

Yellow Fowls an Example by

Yellow Fowls The argument that the domestic chicken originated from a single ancestor is based on the assumption that the red jungle fowl is the sole ancestor of the domestic chicken. This argument is based on the fact that the domestic chicken resembles the red jungle fowls in a number of features such as the strong long legs and the stout bill just to mention but a few; according to Charles Darwin, whose views have been supported by molecular studies of mtDNA and retroviral insertions. Need essay sample on "Yellow Fowls" topic? We will write a custom essay sample specifically for you Proceed Undergraduates Frequently Tell Us: Is anyone capable to complete a type essay? Go To The Order Button And Get Set To Be Wowed Custom Writing Service Best Website To Buy College Papers Best Essay Writing Service Essay Writing Services Through the scientific arguments the paper tries to provide an explanation to the presence of yellow skin in domestic chicken. Whether a bird is yellow or white depends on the presence or absence of carotenoids.White chicken have a dominant allele while the yellow ones carry a homozygous recessive allele. This recessive gene is attributed to the regulatory mutations which inhibit expression of the beta carotenoid dehydrogenase 2 enzyme only in the skin.The mutation is regulatory because the coding sequence of the gene is intact while its regulation is modified. This enzyme is responsible for cleaving colorful carotenoids into colorless apocarotenoids thus leading to the yellow color. Identification of the yellow skin gene involved the combination of linkage analysis and Identical -By -Decent (IBD) mapping across the various breeds with the yellow skin phenotypes. In the experiment DNA samples from various domestic breeds were used for IBD mapping where it was assumed that the yellow pigmentation was inherited from a common ancestor.Pylogenetic studies were done by sequencing 23.8kb domestic chickens homozygous for yellow skin together with a set of domestic chickens and red jungle fowls homozygous for white skin. This analysis showed great diversity between the two groups. The study goes a head to demonstrate that though the domestic chicken inherited the mitochondrial and most of their nuclear genome from the red jungle fowls, the yellow skin allele must have originated from the grey jungle fowl. The report also includes the contribution of human beings in creating the variation. This was by introgression of the yellow skin into the red jungle fowl by hybridization after domestication of chicken. However the experiments lacked sufficient statistics to justify why chicken with the yellow skin color are associated with high egg production. Besides the experiments have inconsistencies as regards to comparing of topologies that were derived from the control region of the mitochondrion genome and from the nuclear markers not on chromosome 24. Otherwise the study is credible in the sense that it clearly outlines the role of regulatory mutations in evolution. It is believed that the same gene can be used to explain the pink color of flamingos and the yellow color of most prey birds. It is also important to note that to some extend the study contradicts the assumption that the red jungle fowl is the soul wild ancestor of the domestic chicken and provides the fast conclusive evidence that other species have contributed to the genome of the chicken. This therefore necessitates changes in the taxonomy of the domestic chicken for instance from Gallus gallus domesticus to Gallus domesticus. That is to say from a monophyletic point of view to a polyphyletic perspective. Finally the study raises a concern over the time factor. It would take a long time to break down an intrrogressive allele into a 6mb block thus its disadvantageous to domestication. Citation MLA8 format Chicken Breeds Chart. Chicken Breeds Chart - Backyard Poultry Wiki, www.backyardpoultry.com/wiki/index.php/Chicken_Breeds_Chart. Palmer, L. S., and H. L. Kempster. The Physiological Relation between Fecundity and the Natural Yellow Pigmentation of Certain Breeds of Fowls. Poultry Science, vol. s2-6, no. 9, 1920, pp. 6971., doi:10.3382/ps.0060069a. Yellow-Necked Spurfowl. Wikipedia, Wikimedia Foundation, 15 Aug. 2018, en.wikipedia.org/wiki/Yellow-necked_Spurfowl.

The Role of Alcohol in Dubliners Essay Essay Example

The Role of Alcohol in Dubliners Essay Essay The function of intoxicant in Joyce James’ Dubliners can be seen in three narratives: The Dead. A Small Cloud and Counterparts. Alcohol is used by some of the characters who wishes to bask and get away. As the author’s technique. she wanted to connote how intoxicant is used during the clip that she wrote the book. Alcohol has ever been present in the civilization of people in Europe. Alcohol imbibing ritual makes a individual temporarily escape world. In Dubliners. intoxicant is one great influence in the characters of Farrington from the narrative Counterparts. Thomas Chandler from the narrative A Little Cloud and Freddy Malins from the narrative The Dead. Alcohol is used to stress the subject of palsy that the writer wishes to demo to its readers. We will write a custom essay sample on The Role of Alcohol in Dubliners Essay specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on The Role of Alcohol in Dubliners Essay specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on The Role of Alcohol in Dubliners Essay specifically for you FOR ONLY $16.38 $13.9/page Hire Writer There are events in the life of Farrington from the narrative Counterparts that he clings on to alcohol in order to get away world. He is a arch worker because he steals company clip in order to take long hours of tiffin interruption. But alternatively of eating on eating houses or at the office canteen. he went to different bars and indulge himself with intoxicant. But so his foreman eventually discovered his misconduct and told him that he is given merely half an hr for tiffin and non an hr and a half. But this does non shaken Farrington at all. he kept on get awaying from his duties and spends most of the clip imbibing. He has his on grounds for imbibing. for him it is a manner to acquire off from jobs. Alternatively of loving his occupation as a clerk. he loves alcohol even more. Because of this. he loss his occupation by neglecting to carry through a given undertaking. He was excessively busy looking frontward to the dark he will pass imbibing with his friends that he forgot to subject an of import paper. His imaginativeness of what happy their imbibing session could be made him free his focal point on his occupation. He was insulted by his foreman but alternatively of apologising he choose to travel out of the office instantly. He is willing to give everything in topographic point of intoxicant. He pawn his ticker to hold some money for imbibing. When the clip comes for Farrington and his friends to imbibe. Alcohol truly made him bury all his defeats and depressions from his occupation. The drink made his personally more boost alternatively. He proudly told his friend how he fight back his foreman and how he ridiculed him. Farrington went on saloon hoping with his friends which made him pass and pass tonss of money. He felt a little defeated because of this and so he decided to contend an arm wrestle to affect people. But because of the consequence of the intoxicant. he loss the conflict. Alcohol made Farrington a careless adult male. His occupation is replaced by intoxicant and when he went place he found out that there is no nutrient for his household. All because of his immense disbursement in the bars that he and his friends went to. The truth that there is no nutrient for them made him angry and he ended up crushing his hapless boy. Freddy Malin from the narrative The Dead is a good known rummy. Once he is already intoxicated. he is non cognizant of he’s errors. For Freddy Malin intoxicant means a batch in relation to his societal life and conviviality. But so he is incognizant of his actions one time he is intoxicated. That is why on the event that Kate and Julia Morkin organizes a party for their nephew Gabriel Conroy. tonss of nutrient and drinks are served as expected. When Freddy Malins entered the hall. Aunt Kate asks Gabriel to look for him since he might acquire drunk once more. Since one of the guest Mr. Browne is besides making dirty concern with other ladies during that dark. Gabriel decided to allow the two be joined together to avoid unneeded events. Mr. Browne gave Freddy lemonade alternatively of spirits to avoid being intoxicated. Alcohol besides plays an of import function in the narrative A Little Cloud. Here. Thomas Chandler met up his friend Ignatius Gallaher. The two went on imbibing for old time’s interest. The two had a good clip speaking over beer bottles about their callings. Alcohol made Thomas a sentimental sap. His lower status and depression comes out upon hearing the success narrative of his friend. He felt thankless of his state of affairs as a hapless household adult male. He could hold been happy for his friend alternatively of being covetous. But since the consequence of intoxicant is at that place. negativeness comes out of his rummy head. His resentment continuously shows when he even promote his friend to hold a household of his ain so that the conversation be changed. But still Gallaher refuses his suggestion because when he gets married he can non go any longer. Thomas is truly aghast and discontented of his state of affairs. He is non sober any longer that’s why many things came across his head. He could hold been a good author if he did non get married early. Thomas Gallaher goes home frustrated and depress. The consequence of intoxicant besides made him bemused with so many sick feelings and ideas. He even forgot to purchase java which his married woman told him to make so earlier that twenty-four hours. He sits with their kid in their house while contemplating on his life’s letdowns. He even questioned his matrimonial position and fault it for remaining in Dublin and non sing what success his friend has. He ended up being scolded by his married woman because he was excessively busy believing that he did non detect that their kid was already shouting. Drinking in the instances of the three characters are presented as their natural act. Actions are already done without giving any idea on it if it is truly needed or non. Farrington could hold salvage some money for his household alternatively of passing all of it on imbibing and clubbing. His actions is made worst by intoxicant. Alternatively of being depress for his occupation. he even boasted and told his friend what he did to his foreman. The head is non working decently because of the giddiness caused by intoxicant. He ended up crushing his boy who neer did any incorrect to him. Freddy Malins on the other manus ever connects intoxicant with conviviality. For him. this is his beginning of felicity. That’s why on any event. people tend to look over him so that they will do it certain that he remains sober until the party is over. Where in fact. he could make it entirely by reasonably imbibing and believing foremost of the effects of his actions. In the instance of Thomas Gallaher. intoxicant made him more sensitive. His inebriation gave him an emotional incapacity. He is filled with excessively much strivings and defeats. His poorness made him compare his life to his friend which made his state of affairs more hard. He blames his being married to all his wretchedness which neer gave him any good. The writer uses intoxicant to demo the manner characters betrays their personality. They wanted to get away world thats why they chose to imbibe alternatively of puting things directly. The subject of palsy is justified by intoxicant because it makes the characters incapable of making things. Their head is crippled and cluttered with intoxicant that made them determinations that are unmanageable. Plants Cited Joyce. James. Dubliners. London: Penguin Classicss. 1956.

Anna Pavlova

Anna Pavlova Dates: January 31 (February 12 in the new calendar), 1881 - January 23, 1931 Occupation: dancer, Russian ballerinaKnown for: Anna Pavlova is especially remembered for her portrayal of a swan, in The Dying Swan.Also known as: Anna Matveyevna Pavlova or Anna Pavlovna Pavlova Anna Pavlova Biography: Anna Pavlova, born in Russia in 1881, was the daughter of a laundry-woman. Her father may have been a young Jewish soldier and businessman; she took the last name of her mothers later husband who likely adopted her when she was about three years old. When she saw The Sleeping Beauty performed, Anna Pavlova decided to become a dancer, and entered the Imperial Ballet School at ten. She worked very hard there, and on graduation began to perform at the Maryinsky (or Mariinsky) Theatre, debuting on September 19, 1899. In 1907, Anna Pavlova began her first tour, to Moscow, and by 1910 was appearing at the Metropolitan Opera House in America. She settled in England in 1912. When, in 1914, she was traveling through Germany on her way to England when Germany declared war on Russia, her connection to Russia was for all intents broken. For the rest of her life, Anna Pavlova toured the world with her own company and kept a home in London, where her exotic pets were constant company when she was there. Victor Dandrà ©, her manager, was also her companion, and may have been her husband; she herself distracted from clear answers on that. While her contemporary, Isadora Duncan, introduced revolutionary innovations to dance, Anna Pavlova remained largely committed to the classic style. She was known for her daintiness, frailness, lightness and both wittiness and pathos. Her last world tour was in 1928-29 and her last performance in England in 1930. Anna Pavlova appeared in a few silent films: one, The Immortal Swan, she shot in 1924 but it was not shown until after her death it originally toured theaters in 1935-1936 in special showings, then was released more generally in 1956. Anna Pavlova died of pleurisy in the Netherlands in 1931, having refused to have surgery, reportedly declaring, If I cant dance then Id rather be dead. Print Bibliography - Biographies and Dance Histories: Algeranoff. My Years With Pavlova. 1957.Beaumont, Cyril. Anna Pavlova. 1932.Dandrà ©, Victor. Anna Pavlova in Art and Life. 1932.Fonteyn, Margo. Pavlova: Repertoire of a Legend. 1980.Franks, A. H., editor. Pavlova: A Biography. 1956.Kerensky, Oleg. Anna Pavlova. London, 1973.Gaevsky, Vadim. The Russian Ballet - A Russian World: Russian Ballet from Anna Pavlova to Rudolf Nureyev. 1997.Krasovskaya, Vera. Anna Pavlova. 1964.Krasovskaya, Vera. Russian Ballet Theatre at the Beginning of the Twentieth Century vol. 2. 1972.Money, Keith. Anna Pavlova: Her Life and Art. 1982.Lazzarini, John and Roberta. Pavlova. 1980.Magriel, Paul. Pavlova. 1947.Valerian, Svetlov. Anna Pavlova. London, 1930.International Dictionary of Ballet. 1993. Includes an inclusive list of her roles and a more complete bibliography. Print Bibliography - Childrens Books: Anna Pavlova. I Dreamed I Was a Ballerina. Illustrated by Edgar Degas. Ages 4-8.Allman, Barbara. Dance of the Swan: A Story About Anna Pavlova (A Creative Minds Biography). Illustrated by Shelly O. Haas. Ages 4-8.Levine, Ellen. Anna Pavlova: Genius of the Dance. 1995.

Sex, Lies and Conversation Paper Essay Example | Topics and Well Written Essays - 750 words

Sex, Lies and Conversation Paper - Essay Example One of the key differences is that men do not like to face a women while talking in contrast women prefer to face a man while talking either it a serious issue or not. For example, men feel comfortable sharing thoughts and feelings while physically turned away from the person they are talking to since they associated direct eye contact with confrontation. To illustrate this when an individual and a friend are walking or enjoying a ride, one does not have to face one another since one is going to lose concentration on what they are doing and this makes them to be active on what they are doing. On the other hand, women stand directly facing each other to attract the attention of an individual and failure to maintain eye contact associate it with disinterest and rudeness. Women base their argument that if one is not honest, he will not look at someone directly to the eyes which is actually true since when on is being lectured by parent one fells guilty and would not maintain eye contact . Another key difference is change of subject or a topic that is being discussed by individuals. Men tend to keep on changing topic that is being discussed while women tend to stick to one topic until it has been completely discussed to their satisfaction. For example, Ruth and William are friends to me and they are married couples, Ruth talks about why men cheat to their spouse but William changes the topic and talk about how the economy is bad. This angers Ruth since she feels bad since the topic is about their relationship and William seems not to care. This theory shows that men are impatient and they tend to change subjects and cause conflict. Another difference is how men and women comfort others, men tend to see as if everything is okay while women offer support and encouragement to their friends. For example when one is bad economic situation a man will just say that it is normal but a woman